Friday, April 26, 2013

"Java Jive: Jazz About Coffee" on "Jazz-O-Rama" Saturday, April 27, 3:30 pm ET on CRAGG!



Nat King Cole, Ray Noble, Boswell Sisters with the Dorsey Brothers, Saturday as part of The Joe Bev 3-Hour Block, which includes The Comedy-O-Rama Hour & The Joe Bev Experience, starting 2:30 pm ET, 1:30 CT, 11:30 PT on cultradioagogo.com!

"Java Jive: Jazz About Coffee" 


Jazz about coffee will fill the air on the 39th edition of Joe Bev's Jazz-O-Rama Hour airing Saturday, April 27th at 3:30 pm ET / 12:30 pm PT, on http://www.CultRadioAGoGo.com (part of Joe Bev 3-Hour Block, beginning at 2:20 pm ET / 11:30 am PT).




LINK TO
CULT RADIO A GO GO!


This Saturday Joe Bev presents 78 RPM & LP Jazz with a Sense of Humor: "Java Jive: Jazz About Coffee" including Nat King Cole, Ray Noble, Boswell Sisters with the Dorsey Brothers, Henry Mancini, The Ink Spots, and J.J. Johnson. 



1. You're the Cream in My Coffee 
Nat King Cole (1946) 
December 18, 1946 
Pathe Studios, New York 
Nat Cole (vocal, piano), Oscar Moore (guitar), Johnny Miller (bass) 

2. You're The Cream In My Coffee 
The Ambassadors Orchestra, Frank Sylvano vocal (1928) 
The music was written by Ray Henderson, the lyrics by Buddy G. DeSylva and Lew Brown for the Broadway musical Hold Everything! and was featured in the Warner Brothers film version of the musical in 1930. The song was later recorded by Les Brown, the Ray Conniff Singers, and many others. 

Ray Noble


3. You're The Cream In My Coffee 
The Ray Noble Orchestra, Al Bowlly, vocal (1929) 
Ray Noble was an English bandleader, composer, arranger, radio comedian, and actor. Noble wrote both lyrics and music for many popular songs during the British dance band era known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including Love Is The Sweetest Thing, Cherokee, The Touch of Your Lips, I Hadn't Anyone Till You and his signature tune, The Very Thought of You. Noble also played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films. 


4. Coffee in the Morning (Kisses at Night) - Boswell Sisters with the Dorsey Brothers (1933) 
Recorded on November 14, 1933. The song was used in the movie "Moulin Rouge" (1934). The Boswell Sisters appeared in the film, after Constance Bennett and Russ Columbo introduced it. 


Henry Mancini






5. Goofin' at the Coffeehouse 
Henry Mancini (1959) 
From the LP More Peter Gunn, featuring the Sound Stage All Stars. 


6. Java Jive 
The Ink Spots (1940) 
Hoppy Jones, Deek Watson, Bill Kenny, and Charlie Fuqua sing Milton Drake's words join Ben Oakland's music. 

7. Coffee in the Morning 
The Lew Stone Duriam Dance Band, Al Bowlly, vocal (1934) 

8. Coffee Pot 
J.J. Johnson (1954) 
J.J. Johnson - trombone 
Wynton Kelly - piano 
Charles Mingus - bass 
Kenny Clarke - drums 
Sabu Martinez - conga 
From the LP: Eminent J.J. Johnson Volume 2 

9. Coffee and Cakes 
Una Mae Carlisle (1941) 
A talent discovery of the great Fats Waller, Una Mae Carlisle achieved much success as both a performer and songwriter. She developed a long-term relationship with publisher, producer, and frequent record-label manager Joe Davis, who sold upwards of 20,000 copies of some of her releases. Carlisle's original songs, such as "I See a Million People" and "Walkin' by the River," were smashes, covered by many popular artists such as Cab Calloway and Peggy Lee. 


10. Black Coffee 
Sarah Vaughan (1949) 
Written in 1948 by Sonny Burke and the lyrics by Paul Francis Webster. Sarah Vaughan charted with this song in 1949 on Columbia. 
Recorded in January, 1949 and released on this Columbia label record. This was the first hit for Sarah Vaughn after signing with Columbia in 1948.

11. Black Coffee 
Sonny Criss (1966) 
Sonny Criss - This is Criss, Prestige 
Sonny Criss, alto sax 
Walter Davis, Jr., piano 
Paul Chambers, bass 
Alan Dawson, drums 
Recorded on October 21, 1966; Englewood Cliffs, NJ. 
The Brazilian Jazz Quartet




12. Black Satin 
The Brazilian Jazz Quartet (1958) 
Brazilian Jazz Quartet - Coffee and Jazz 
Label: Columbia 
Casé (José Ferreira Godinho Filho) - sax 
Moacyr Peixoto - piano 
Rubens Barsotti (Rubinho) - drums 
Luiz Chaves - bass 
The Brazilian Jazz Quartet, an obscure jazz quartet from the late 50's featuring Moacyr Peixoto (piano), José Ferreira Godinho Filho "Casé" (sax), Rubens Barsotti "Rubinho" (drums) and Luiz Chaves Oliveira da Paz "Luiz Chaves" (bass). As a matter of fact, this group should be considered as a sort of embryo of the legendary "Zimbo Trio". The Zimbo Trio is a Brazilian instrumental ensemble, established in 1964 in São Paulo, and originally comprising Amilton Godoy (piano), Luís Chaves (bass) and Rubinho Barsotti (drums). The Trio was one of the most influential groups of Brazilian music in the second half of the 20th century. Over 45 year career and 51 albums recorded, the Zimbo Trio has won worldwide recognition, touring the world, and spreading Brazilian instrumental music. 

13. A Cup of Coffee, A Sandwich & You 
Roger Wolfe Kahn & His Orchestra (1926) 
A Cup Of Coffee, A Sandwich And You 
(Rose / Dubin / Meyer)    12-15-1925    New York, New York Victor 
19935-A 
A song written by Joseph Meyer, with lyrics by Al Dubin and Billy Rose for Charlot's Revue. It was often used as backing music in Warner Brothers' cartoons during scenes depicting hunger, cooking, or eating.

Glenn Miller and His Orchestra 




14. Let's Have Another Cup Of Coffee (1942) 
Glenn Miller and His Orchestra with refrain by Marion Hutton, Ernie Caceres and The Modernaires recorded their version in New York City on January 5, 1942. It was released by Bluebird Records as catalog number B 11450A (in USA) and by EMI on the His Master's Voice label as catalog number BD 5784. 
Written by Irving Berlin for the musical comedy Face the Music, which opened in 1932.

Joe Bevilacqua 
Joe Bevilacqua (Joe Bev) is the recipient of the 2013 Kean University Distinguished Alumni Award. Bevilacqua will accept the award at the  reception being held at Kean University in Union, New Jersey, on Sunday, April 28, 2013. For more information, read: http://www.prlog.org/12085461-joe-bevilacqua-receives-2013-kean-university-distinguished-alumni-award.html

Bev has been producing radio in many genres since 1971 when he was 12. At 19 in 1980, Bev became the youngest person to produce a radio show for public radio. He co-hosted The Jazz Show with Garret Gega in the early 80s, a four hour a week mix classic jazz and comedy. Bev also worked for WBGO, Jazz 88 in Newark, NJ and produced documentaries for WNYC New York Public Radio on jazz legends including Louis Armstrong, Wynton Marsalis, Count Basie, Woody Herman, Cab Calloway, and Lionel Hampton.


In addition to The Jazz-O-Rama Hour, he also produces The Comedy-O-Rama Hour, The Joe Bev Experience and Cartoon Carnival, with new podcasts every week. Go to: http://www.waterlogg.com 


WATERLOGG PRODUCTIONS
4 PODCASTS
COR PODCAST
JAZZ PODCAST
JOEBEV PODCAST
The Joe Bev Experience Podcast on iTunes 
OR click on the link to the right to hear us online
CARTOON PODCAST
OR click on the link to the right to hear us online




LIKE THE JAZZ-O-RAMA SHOW? CHECK OUT OUR DOCUMENTARY...


Louis Armstrong's New Orleans, with Wynton Marsalis: A Joe Bev Musical Sound Portrait

by Joe Bevilacqua Narrated by Joe Bevilacqua, Winton Marsalis, Donald Newlove, Leonard Lopate, Louis Armstrong

Length: 59 min. 

Veteran radio producer Joe Bevilacqua hosts this entertaining, informative hour, recorded in the French Quarter of New Orleans and featuring jazz great Wynton Marsalis, jazz author and historian Donald Newlove, WNYC Radio talk show host Leonard Lopate, members of the Preservation Hall Jazz Band, and others, on the origins of jazz, and the life and music of legendary trumpeter Louis Armstrong. Also featured is the music of Armstrong throughout his long career, and rare recordings, including audio from a 1957 CBS TV documentary with Edward R. Murrow.


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Friday, April 19, 2013

Remastered Classic Modern Jazz LPs Cuts on "Jazz-O-Rama" Saturday, April 20, 3:30 pm ET on CRAGG!


Count Basie, Art Blakey, Oscar Peterson, Dave Brubeck, more. Saturdays as part of The Joe Bev 3-Hour Block, which includes The Comedy-O-Rama Hour & The Joe Bev Experience, starting 2:30 pm ET, 1:30 CT, 11:30 PT streamed over cultradioagogo.com!


The remastered music of Clifford Brown & Max Roach, Lee Morgan, and Dave Brubeck will fill the air on the 38th edition of Joe Bev's Jazz-O-Rama Hour airing Saturday, April 20th at 3:30 pm ET / 12:30 pm PT, at http://www.CultRadioAGoGo.com (part of Joe Bev 3-Hour Block, beginning at 2:20 pm ET / 11:30 am PT).



LINK TO CULT RADIO A GO GO!

This Saturday Joe Bev presents 78 RPM & LP Jazz with a Sense of Humor:"My Favorite LP Cuts of the 1950s & 60s", including: Count Basie, Art Blakey, Oscar Peterson, Dave Brubeck, Lee Morgan, Clifford Brown & Max Roach, Miles Davis, and Horace Silver.

1. Clifford Brown & Max Roach Quintet - Parisian Thoroughfare (self titled, 1955)
2.  Art Blakey and The Jazz Messengers - Dat Dere ("The Big Beat", 1960) by 
3. The Miles Davis Quintet - Seven Steps to Heaven (title track, 1963)
4. The Dave Brubeck Quartet - Countdown: Time in Outer Space (title track, 1962) 
5. Art Blakey And The Jazz Messengers - For Minors Only ("Hard Drive", 1957)
6. Count Basie - Blues In Hoss' Flat ("Chairman of the Board", 1958)
7. Oscar Peterson Trio - Night Train (title track, 1962)
8. Lee Morgan - Untitled Boogaloo ("The Procrastinator", 1969)
9. Horace Silver - "Baghdad Blues" ("Blowin' The Blues Away", 1959)


Clifford Brown & Max Roach
Parisian Thoroughfare is a Richie Powell arrangement of the Bud Powell composition performed by the short-lived Clifford Brown & Max Roach Quintet, and their debut self-tilted studio album, recorded August 2, 3 & 6, 1954 and February 24 & 25, 1955, and released in 1955 on the EmArcy label. The producer was Bob Shad. Personnel: Clifford Brown – trumpet; Harold Land – tenor saxophone; George Morrow – bass; Richie Powell – piano; Max Roach – drums

Dat Dere was first recorded in 1960 by Art Blakey and The Jazz Messengers on the album "The Big Beat". Oscar Brown Jr. penned the lyrics later for the song's release on his 1961 début album "Sin & Soul...and Then Some".

Seven Steps to Heaven was the eighth studio album by Miles Davis, recorded May 14, 1963 in New York, and released in 1963 by Columbia Records. Personnel: Miles Davis – trumpet, George Coleman – tenor sax, Herbie Hancock – piano, Ron Carter – bass, Tony Williams – drums.


Dave Brubeck Quartet
Countdown: Time in Outer Space is the 1962 Dave Brubeck composition dedicated to John Glenn, recorded for the The Dave Brubeck Quartet Columbia studio album of the same name.  Personnel: Dave Brubeck – piano; Paul Desmond – alto saxophone; Joe Morello – drums; Eugene Wright – double bass.

For Minors Only was recorded by Art Blakey And The Jazz Messengers for the album "Hard Drive", recorded in New York City, NY October 11, 1957. Personnel: Bill Hardman – Trumpet; Johnny Griffin – Tenor Sax; Junior Mance – Piano; Spanky DeBrest – Bass; Art Blakey –  Drums.

Frank Foster wrote Blues In Hoss' Flat and performed on the 1958 Roulette album "Chairman of the Board." Basie is accompanied on this March 28, 1958, recording by Thad Jones, Snooky Young, Wendell Culley and Joe Newman on trumpet, Henry Coker, Al Grey and Benny Powell on trombone, Marshal Royal on clarinet/alto sax, the composer on alto sax/flute, Billy Mitchell and Frank Foster on tenor sax, Charlie Fowlkes on baritone sax, Freddie Green on guitar, Eddie Jones on bass and Sonny Payne on drums. 


Oscar Peterson Trio
Oscar Peterson Trio's album "Night Train" was released in 1962 by Verve Records, featured Oscar Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums. It was produced by Norman Granz.

Untitled Boogaloo was first recorded for "The Procrastinator" the album by jazz trumpeter Lee Morgan released on the Blue Note label, featuring performances by Morgan, Wayne Shorter, Bobby Hutcherson, Herbie Hancock, Ron Carter and Billy Higgins. It was originally issued in 1978 as a double LP featuring tracks recorded in three different sessions: July 1967, September 1969 and October 1969.  Final track from Morgan's 1967-1969 "Sonic Boom" sessions album. Personnel on the two sessions: Lee Morgan (trumpet); David "Fathead" Newman, George Coleman (tenor saxophone); Julian Prester (trombone); Cedar Walton, Harold Mabern (piano); Ron Carter, Walter Booker (bass); Billy Higgins, Mickey Roker (drums).


Horace Silver
Horace Silver's "Baghdad Blues" was recorded: August 29, 1959, and released on the Blue Note Classic "Blowin' The Blues Away", with Horace Silver on piano; Blue Mitchell on trumpet; Junior Cook on tenor saxophone; Gene Taylor on bass, and Louis Hayes on drums.




WATERLOGG PRODUCTIONS
4 PODCASTS
COR PODCAST
JAZZ PODCAST
JOEBEV PODCAST
The Joe Bev Experience Podcast on iTunes 
OR click on the link to the right to hear us online
CARTOON PODCAST
OR click on the link to the right to hear us online

Joe Bev
Joe Bevilacqua (Joe Bev) has been producing radio in many genres since 1971 when he was 12. At 19 in 1980, Bev became the youngest person to produce a radio show for public radio. He co-hosted The Jazz Show with Garret Gega in the early 80s, a four hour a week mix classic jazz and comedy. Bev also worked for WBGO, Jazz 88 in Newark, NJ and produced documentaries for WNYC New York Public Radio on jazz legends including Louis Armstrong, Wynton Marsalis, Count Basie, Woody Herman, Cab Calloway, and Lionel Hampton. 

Bev also produces, directs, writes and voices half of The Comedy-O-Rama Hour, now in his 55th week, which is has been highest rated radio show on Cult Radio A-Go-Go! for many weeks. Joe Bev's other weekly radio show, The Jazz-O-Rama Hour debuted at #2. 

Last year, the veteran voice actor added his third hour for Cult Radio, called The Joe Bev Experience which airs right after The Jazz-O-Rama Hour. 

More about Waterlogg Productions at http://www.waterlogg.com.



LIKE THE JAZZ-O-RAMA SHOW? CHECK OUT OUR DOCUMENTARY...


Louis Armstrong's New Orleans, with Wynton Marsalis: A Joe Bev Musical Sound Portrait

by Joe Bevilacqua Narrated by Joe Bevilacqua, Winton Marsalis, Donald Newlove, Leonard Lopate, Louis Armstrong

Length: 59 min. 

Veteran radio producer Joe Bevilacqua hosts this entertaining, informative hour, recorded in the French Quarter of New Orleans and featuring jazz great Wynton Marsalis, jazz author and historian Donald Newlove, WNYC Radio talk show host Leonard Lopate, members of the Preservation Hall Jazz Band, and others, on the origins of jazz, and the life and music of legendary trumpeter Louis Armstrong. Also featured is the music of Armstrong throughout his long career, and rare recordings, including audio from a 1957 CBS TV documentary with Edward R. Murrow.


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Friday, April 12, 2013

Remastered Early Chicago Jazz 78 RPM Records to be Broadcast Saturday, April 13 at 3:30 pm ET on CRAGG!


The Jazz-O-Rama Hour is part of The Joe Bev 3-Hour Block, which includes The Comedy-O-Rama Hour & The Joe Bev Experience, EVERY SATURDAY starting 2:30 pm ET / 11:30 am PT on cultradioagogo.com.

The sounds of Django Reinhardt, Count Basie, Duke Ellington, Eddie Condon and Bix Beiderbecke will fill the air on the 36th edition of Joe Bev's Jazz-O-Rama Hour airing Saturday, April 13th at 3:30 pm ET / 12:30 pm PT, at http://www.CultRadioAGoGo.com (part of Joe Bev 3-Hour Block, beginning at 2:20 pm ET / 11:30 am PT).


This Saturday Joe Bev presents 78 RPM Jazz with a Sense of Humor: "Going to Chicago: "Windy City 78s", including:
The Duke Ellington Orchestra

1. Django Reinhardt et le Quintette du Hot Club de France - Chicago (1937)
2. Tampa Red & The Chicago Five - It's Tight Like That (1928)
3. The Duke Ellington Orchestra, with Adelaide Hall- Chicago Stomp Down (1928) 
4. The Tennessee Ten aka The Benson Orchestra Of Chicago, The Waitin' For The Evenin' Mail (1923)
5. The Chicago Rhythm Kings - I've Found A New Baby (1928)
6. Chicago Rhythm Kings - There'll Be Some Changes Made (1928)
7. McKenzie and Condon's Chicagoans - Nobody's Sweetheart (1927)
 Fletcher Henderson's Orchestra
8. Andy Kirk and his Dark Clouds Of Joy - Little Joe From Chicago (1938)
9. Eddie Condon & His Ban: Fidgety Feet (late 1920s)
10. Fletcher Henderson's Orchestra - Chicago Blues (1930s)
11. Benson Orchestra Of Chicago as All-Star Orchestra - Maybe This is Love (1928)
12. Bix Beiderbecke - Ostrich Walk (1927)
13. Tampa Red & The Chicago Five - You Got To Learn To Do It (1937)
14. Illinois Jacquet -  Illinois Goes To Chicago (late 1940s
15. Jack Teagarden with Bud Freeman & His Famous Chicagoans - That Da Da Strain (late 30s) 
16. The Count Basie Orchestra, with Jimmy Rushing - Going To Chicago Blues (1941)

LINK TO CULT RADIO A GO GO!

Jean "Django" Reinhardt was a pioneering virtuoso jazz guitarist and composer. Reinhardt is often regarded as one of the greatest guitar players of all time and is the first important European jazz musician who made major contributions to the development of the idiom.

Tampa Red born Hudson Woodbridge but known from childhood as Hudson Whittaker, was an American Chicago blues musician. Tampa Red is best known as an accomplished and influential blues guitarist who had a unique single-string slide style. His songwriting and his silky, polished "bottleneck"technique influenced other leading Chicago blues guitarists, such as Big Bill Broonzy and Robert Nighthawk, as well as Muddy Waters, Elmore James, Mose Allison and many others. 

Edward Kennedy "Duke" Ellington
Edward Kennedy "Duke" Ellington was an American composer, pianist, and big-band leader. Ellington wrote over 1,000 compositions. Adelaide Hall was an American born British based jazz singer and entertainer. Hall was born in Brooklyn, New York and was taught to sing by her father. She began her stage career on Broadway in 1921 in the chorus line of the Broadway musical Shuffle Along.

McKenzie and Condon's Chicagoans was a jazz band from Chicago, led by banjo player Eddie Condon and sponsored by singer and comb player Red McKenzie. Their four recordings in December 1927 were important influences on early Chicago style jazz. 

In 1928 Andy Kirk took over the Terrence Holder Orchestra renaming it Andy Kirk and his Dark Clouds Of Joy and then Andy Kirk and his Twelve Clouds Of Joy. The band went on to become one of the most popular of all the territory bands and maintained a successful career that lasted for over twenty years.

James Fletcher
Hamilton Henderson, Jr
James Fletcher Hamilton Henderson, Jr. (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. His was one of the most prolific black orchestras and his influence was vast. Fletcher is ranked along with Duke Ellington as one of the most influential arrangers and band leaders in jazz history, and helped bridge the gap between the jazz and swing era.  

Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, jazz pianist, and composer.  With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. 

Jean-Baptiste Illinois Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument. 

Lawrence "Bud" Freeman was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the Big Band era. 

William "Count" Basie was an American jazz pianist, organist, bandleader, and composer. His mother first taught him piano and he started performing in his teens. Dropping out of school, he learned to operate lights for vaudeville and to improvise accompaniment for silent films at a local movie theater in his town of Red Bank, New Jersey. By 16, he increasingly played jazz piano at parties, resorts and other venues. 

James Andrew Rushing, known as Jimmy Rushing, was an American blues shouter and swing jazz singer from Oklahoma City, Oklahoma, United States, best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948. 

WATERLOGG PRODUCTIONS
4 PODCASTS
COR PODCAST
JAZZ PODCAST
JOEBEV PODCAST
The Joe Bev Experience Podcast on iTunes 
OR click on the link to the right to hear us online
CARTOON PODCAST
OR click on the link to the right to hear us online
 
Joe Bev?
Joe Bevilacqua (Joe Bev) has been producing radio in many genres since 1971 when he was 12. At 19 in 1980, Bev became the youngest person to produce a radio show for public radio. He co-hosted The Jazz Show with Garret Gega in the early 80s, a four hour a week mix classic jazz and comedy. Bev also worked for WBGO, Jazz 88 in Newark, NJ and produced documentaries for WNYC New York Public Radio on jazz legends including Louis Armstrong, Wynton Marsalis, Count Basie, Woody Herman, Cab Calloway, and Lionel Hampton. 

Bev also produces, directs, writes and voices half of The Comedy-O-Rama Hour, which is has been highest rated radio show on Cult Radio A-Go-Go! for many weeks. Joe Bev's other weekly radio show, The Jazz-O-Rama Hour debuted at #2. 

Last year, the veteran voice actor added his third hour for Cult Radio, called The Joe Bev Experience which airs right after The Jazz-O-Rama Hour. 

LIKE THE JAZZ-O-RAMA SHOW? CHECK OUT OUR DOCUMENTARY...


Louis Armstrong's New Orleans, with Wynton Marsalis: A Joe Bev Musical Sound Portrait

by Joe Bevilacqua Narrated by Joe Bevilacqua, Winton Marsalis, Donald Newlove, Leonard Lopate, Louis Armstrong

Length: 59 min. 

Veteran radio producer Joe Bevilacqua hosts this entertaining, informative hour, recorded in the French Quarter of New Orleans and featuring jazz great Wynton Marsalis, jazz author and historian Donald Newlove, WNYC Radio talk show host Leonard Lopate, members of the Preservation Hall Jazz Band, and others, on the origins of jazz, and the life and music of legendary trumpeter Louis Armstrong. Also featured is the music of Armstrong throughout his long career, and rare recordings, including audio from a 1957 CBS TV documentary with Edward R. Murrow.


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audible-BUY